Silver Wordsmith: An author's journey
The concept of a promise takes on a completely different character after you’ve had kids, especially kids with a sharp memory and a sense of justice. If you say they’ll get to watch “Moana” tomorrow, they better be signing along to “How Far I’ll Go” or you will be summoned in front of a tribunal to explain your actions. There are tiny persons now who believe in the inherent goodness of the world and the value of your word has a heightened sense of importance. It’s an interesting sensation to have a magnifying glass lifted up to your words, like little editors following you around ready to be somehow disappointed.
All of that to say that the one person to whom I make promises that I still happily break is myself. I promise to go to bed by ten o’clock today. Lies. I promise if I sleep-in an hour tomorrow I’ll have twice as many morning runs next week. Lies. I promise that when I go on vacation I will set aside some time to write and make a couple of blog updates. As I’m sure you’ve noticed, that was a lie as well, and one I tell myself every time I go away somewhere.
And here’s where the looming figure of imposter syndrome stands behind me and reads over my shoulder. If you were a real writer, would you really be able to stay away from writing, it asks. If it was truly your passion, wouldn’t you find the time, conjure it out of thin air as if your life depended it? Whatever my self-doubt has to say about being a writer, I know that being one primarily involves being a person. And as a person, sometimes I need to be kind to myself and do what I need to relax without feeling guilty about all the other things I might otherwise be doing.
And you know what? I highly recommend it. This was our first chance to take the kids on a getaway beach vacation. They’ve been to Disneyland twice now, but that in itself is a unique experience. Realistically, you can only spend a few days at Disneyland and you’re well-prepared that it’s all going to be a hectic blur. We’re fine with that, and we enjoyed those two trips immensely. Two weeks in Hawaii though is an entirely different experience.
Even though the carefree days of lounging with a book on the beach for hours, drifting in and out of naps, are long gone, and by the end of the day both me and my wife were left thoroughly exhausted, we still felt relaxed, rested and happy. It’s just one of the many paradoxes of parenting I suppose.
In a recent entry, I had talked a bit about how my day job is relatively high-demanding and often moves into my headspace when I’m not at work. Spending time with my family every day, heading to the pool or to the beach or simply eating meals together managed to clear a bit of that log jam. It’s unbelievable how much routine can clog up the pores of your mind and restrict its breathing.
But if the issue is work (or other parts of daily repetitions that you don’t necessarily enjoy, like the morning commute or chores), then why did my writing get swept away in the same stroke? Don’t I enjoy that? Now suddenly I have arrived at one of the questions many writers, and artists in general, ask: do I enjoy this? The answer is of course, a resounding “I do”, but do I enjoy every aspect of it? Do I enjoy writer’s block, against which I’ve rallied in multiple entries? Or perhaps the rigors of editing? Not so much. So maybe it’s a good idea to step away from those as well, to let the enjoyment of my art rise to the top?
Perhaps I’m making it sound like this was a result of conscious decisions. Far from it. Truth be told it just never entered my mind that I should interrupt my “doing nothing”. That said, those of you that have been reading this blog know that I’m an advocate of the proposition that writing words down is but the tip of the iceberg of the act of “writing”. Similarly in this case, while I may not have written new words I have lived, I have experienced, I reflected and recharged and came out of it a better writer. Being away gave me what I sorely needed at the time.
That is not to say that a part of me isn’t glad to be back. A vacation that lasts forever just becomes “life” and how are you supposed to take a vacation from that? It’s going to take me a couple of weeks to blow all of the cobwebs off my writing but I’m happy to jump into all the projects I have on the go with renewed energy. Hopefully this means getting you that second chapter of Drops of the Black Sun, finishing editing the fourth draft of Wake the Drowned, and completing some half-finished short stories that have been sitting around for more than a year.
Now, I know not everyone has the option to go on the kind of getaway that I described. We consider ourselves very fortunate to have these opportunities and I don’t mean to imply that flying somewhere for five hours is the only legitimate way to take a break. Instead, my primary purpose was to come up with an elaborate excuse as to why I hadn’t done any writing in the last three weeks. But seriously, I do believe it’s important to remember to be kind to yourself, to not push yourself to a brink, to give yourself a break when you need it or just when you want it. You don’t cease being a writer if you don’t write. Take a vacation, whether literal or figurative, from anything that might be getting you down. The rest will come.
I want to start off by saying that I like my day job, and I’m not just writing that because someone might be watching. I may not love it as much as I would kicking back and writing all day so that I can sell coffee table editions of books of lore for my sci-fi epic and raking in money by the hundreds of thousands, but hey, I can still dream. I really do enjoy it. As much as one can enjoy being a lawyer without marrying the law itself and deriving pure unadulterated joy out of structuring complex securities transactions.
I’ve had a testy relationship with my career, but ever since I landed a gig at a post-secondary institution, gone are the days of wondering why I’m spending ten or twelve hours a day helping mining companies sell hopeless assets or aiding energy companies in potentially harming sensitive marine environments. Now I’m one of the greased wheels that helps an academic institution go round and round. Between the variety of work and being steeped in an environment of learning, this place is pretty great.
The nature of my work (and this is a reason why I appreciate a desk job in general) enables me to take a minute or two out of the day to write down an idea, or to a walk to a colleague’s office across campus and brainstorm, or to carve some time during lunch to eat at my desk and write. Overall, I find this job pretty conducive to my life as a writer. Despite keeping me consistently busy and for relatively long hours, I can make it work.
But it is a day job; that second-most dreaded adversary of a writer after self-loathing. So it does come with its challenges, and the reason I’ve been prompted to write about it is because the last couple weeks have been particularly brutal. It was so busy at work that I had no time to think about anything else. I barely had enough time to remember how to breathe. Lunches were spent reading emails, the hours stretched somewhat, and the looming threat of an ever-growing to-do list clogged all my creative pores and drained me of that desire to write – the one that helps me pour out several hundred words in just a ten-minute stretch so that I could at least stay consistently productive. By the time I got home, my brain was so drained that I just had enough energy to put the kids to bed and watch Netflix with my wife over dinner.
It was one of the few times where I felt that my day job actually clashed with my craft. I don’t count the years spent at the law firm because that job just slowly saps your soul until you get irrationally angry at having to wake up in the morning. The last couple of weeks, where my job completely eclipsed my writing, gave me pangs for that fantasy world where I sit with a hot mug of lapsang souchong as the sun shines into our home office and I’m taking my time reading up on the East India Company as part of my research.
And you know what, for some people, that’s their life. They’ve chosen to make it work and they can make it work and I can respect that. I can also respect the shift worker that comes home at 7 in the morning, sleeps, hammers out a page or two in the evening while the world is settling for bed and then off they go to help the world turn while everyone else is sleeping.
The bottom line is, they’re all writers.
I’ve got a family and a demanding job and I continue to write in the same way as the Creative Writing major who spends more time writing than I do sleeping. Yet it’s not uncommon to see those “75 Habits of Successful Writers that Won’t Guarantee Success but if You Don’t Follow Them, You’re Basically a Fraud” articles treat having a day job as the antithesis of being a “real” writer.
You know what makes it really hard to write? Hunger. Not having a roof over your head. The stress of not knowing where your next paycheque comes from. Yes, a skillful writer can turn transform those things into inspiration and a burning fire to produce great writing, but it’s not a necessary ingredient to success. You don’t have to enslave yourself to a different master just to be a good writer; to prove yourselves to those anonymous people to whom you owe absolutely nothing.
A job is life experience. A job allows you to meet new interesting people or be alone with your thoughts for hours on end. I’ve advocated several times on this blog that the act of being a writer doesn’t start and end with the addition of words onto a page. It starts when you wake up and it ends when your go to sleep, and in between those two are dreams and nightmares that can be used for sparks of inspiration.
So don’t be tempted into being hard on yourself for how you choose to structure your life, there’s no one kiln out which a writer can be forged and there is no shame in choosing any kind of job, whether it be a long-term career or a part time means of making some cash, over fully dedicating yourself to the writing craft.
Between writing, my day jobs, and having two small kids, I go out to the movies once in approximately never, but when I do, I always seem to have a lot to say about them. I think the last movie I had seen was Solo and I immediately went here to defend it against the hordes of fans who hate on any post-Disney Star Wars content. By some weird coincidence that only solidifies the suspicion that I’m a studio shill, the most recent movie I watched was Ralph Breaks the Internet: Wreck It Ralph 2; may the person who thought of this unwieldy monstrosity of a title get a hangnail, or something.
Any time I watch a Disney film, it’s an event. The previous two that have come out, Moana and Coco, are not only currently sitting as my top 2 favourite animated films of all time, they are both easily in the top 10 favourite movies in general. I think you get the picture. I’ve already previously mentioned that we’re a Disney family but you will eventually learn just how deep this rabbit hole goes.
Anyway, back to Ralph Breaks the Internet, or let’s just go with WIR2 for short. Although it was a very special experience in that it was the first movie my youngest has seen in the theatre, and that my four year old kept his Pikachu stuffy in the cupholder of his seat the entire time except for the scary scenes where he would put down his popcorn and clutch that electric mouse like his life depended on it, I would not call the experience magical, at least not in the same way that I could call other recent Disney experiences.
As far as the Disney Studios animated films, we’d have to dig back as far as Bolt to find one I enjoyed less than this. Now don’t get me wrong, I still think this is a good film and would recommend watching it. When stacked against some other studios that produce animated films this would be a great movie by their standards. But I started to get used to was that films like Moana, Zootopia and Tangled or Pixar ones like Inside Out and Coco, is that the movie itself had left an imprint. I would walk out of those feeling like the movie was a transformative experience because I knew right away that it would influence my writing, or my outlook on life, or simply contain emotional experiences that I would want to revisit over and over again. But WIR2 contained none of that for me.
I could feel something was wrong about twenty minutes in, this discomfort at not being sucked in entirely into the story. In fact, that seemed to be the problem, I was acutely aware that I was being told a story instead of being absorbed by it and taken along for the ride. Granted, I have long feared this movie coming out, not exactly being enticed by trailers or the prospect of a sequel. So maybe some of this initial suspicion was on me, but the feeling never left. Throughout the whole film I felt as though I was being deliberately walked through the elements of the story. Here is their friendship, here is the strain in their friendship, here is the inciting incident, here is a sprinkling of character development. These are of course all legitimate parts to a story but I should not be so aware of them.
I shouldn’t have to listen through dialogue such as “your guys’ friendship is like this” or “you’re my friend, so you shouldn’t do this.” It was all so on the nose that towards the climax of the film a character was basically talking to themselves out loud listing all the things about friendship that they learned throughout the movie. So much of this sounded more like placeholder titles for scenes than actual fleshed-out storyboarding by Disney’s usually brilliant writers.
I think in part due to this lack of naturalness and authenticity, the movie failed to connect with me on that emotional level. Sure, there were emotional scenes but they never quite got to that next level. I think one of the low moments was supposed to have been Ralph reading a bunch of mean comments about himself on social media, but this is a kids’ movie folks, and you and I have probably had waaaaaay worse said about ourselves at some point in our lives. Compare it to the scene in the first one where Ralph, with his bare hands, destroys Vanellope’s car in order to protect her, but being unable to explain himself while she’s screaming in mental anguish about the betrayal and her lost opportunity. That’s emotional. Reading “ralph stinks” is not.
And I feel as though Disney failed to provide their stars with a proper supporting cast. Granted, they avoided a common sequel pitfall in that they didn’t just milk the side characters for the same jokes without any character development, and left Fix-It Felix Jr. and Calhoun on the sidelines for almost the entire movie. But if you’re going to do that, you need someone memorable to replace them with, and sadly, that was lacking. Yesss and Shank were cool characters, but that was pretty much where their merits stopped – neat concept with a slick execution.
And no offence to Gal Gadot, I absolutely loved her in Wonder Woman, but I’m not entirely sure that voice acting was the right choice. For folks like John C. Reilly (Ralph), Jack McBrayer (Fix-It Felix) and Jane Lynch (Calhoun), their voices are very distinct, but when they’re playing their characters, I still hear the characters and not the actors behind them. Yet with Gal Gadot, the whole time I was like, oh, there’s Gal Gadot doing a Gal Gadot character. Maybe it’s because the character she was given to bring to life was as two dimensional as the old Fix-It Felix Jr. arcade game, but that’s just how I felt.
Again, I feel obligated to pause here and say that I still enjoyed the movie. This post is more just the ramblings of an overly-invested fan. The movie was much better than I thought it might be. Okay, fine, that doesn’t sound like a glowing recommendation, but seriously, I had a lot of fun. The internet jokes are at risk of becoming dated, but in this day and age they weren’t groan or cringe worthy. What a time to be alive when “screaming goat videos are back” is a reference that moviegoers actually get.
They heavily-promoted Disney princess reunion had just the right amount of meta and self-aware jokes to be funny, and given the premise of the movie it didn’t feel forced. After all, Vanellope is a princess in a Disney movie and is yet shut out of the club when Merida gets to hang out like one of the crew.
The movie took some great characters and moved them forward and actually added to both the world and the story, unlike a lot of sequels. But here I am wanting something more and I’ve convinced myself that I didn’t get it.
So this probably puts me on Mickey’s naughty list, but hopefully I get to keep my fan card. I’ve gotten quite vested in their movies after not having grown up on them, and Moana, which also intersects with another obsession of mine, Lin-Manuel Miranda, is probably one of the most influential pieces of storytelling in my life. So hopefully I’m just making a tempest in a tea cup here, but with the next scheduled movie being Frozen 2, colour me a little apprehensive.
I’m in an introspective mood, which spells trouble for both brevity and comprehension, but in any case, I will try to keep this focused. I’ve recently returned from a conference in Toronto, my first visit to the city since my wife and I moved away seven years ago. In Canada, Vancouver has always been home, but we did spend an amazing three years in our largest city while I attended law school at the University of Toronto.
So T-Dot, the Big Smoke, Hogtown, or whatever outlandish nickname you want to give it (Centre-of-the-universe, as those outside Toronto are apt to call it), is a second home. I’m no stranger to having second or third homes. I was born in Budapest and spent many summers there, and I grew up in Moscow, so I’m used to leaving behind places that have been dear to me. But this is the first time I’ve come back to a place after such a long time.
Everything changes. Whether people or places, change is woven into the fabric of existence. To expect something to preserve itself exactly as you remember it is to deny that someone or someplace a core part of their nature.
Even our Vancouver neighbourhood that we moved into after Toronto has undergone a lot of changes since that time. Stores that had been opened for decades had closed, some being replaced by cannabis dispensaries. A grocery store had a condo tower built on top of it. This all happens so gradually that like the proverbial boiling frog, even though you’re kind of aware of the temperature becoming uncomfortable, the change is just too gradual to truly appreciate.
Then you get dropped into Toronto after a seven-year absence, a city that is known for having two seasons – winter and construction, and pick a random intersection in Downtown and scan your surroundings. The skyline is dotted with cranes erecting ever-higher towers, constantly increasing residence stock without ever alleviating the cost of housing. This never ends, once a building is finished, another one pops up somewhere. So it’s a neat feeling coming across a beautiful light-blue skyscraper, and scratching your head trying to figure out what was there before. But if you can’t remember, it no longer matters, it’s left your life, leaving no impact whatsoever except this vague uneasy feeling that change tends to elicit.
Then there’s the stuff you do remember being there. Our local neighborhood No Frills store (probably one of the most “no frills”, as the name implies, grocery stores in Canada) was replaced by a much shinier looking FreshCo. And the old menacing 1960s apartment block that rose above it is now another glass condo tower reaching above its neighbours. This little visual gentrification of St. James Town was a bit of a shock in a city that, as I already mentioned, suffers from an ongoing housing crisis.
In the eternal struggle between old and new, I also came across a stark example of a Toronto building strategy – incorporating an old façade into a new building. Heck, there’s a building not too far from the Hockey Hall of Fame that is entirely within what is essentially an indoor mall. So here it is, a clock tower of some unknown historical significance that was chosen to withstand the unstoppable march of progress.
Our own apartment building was still there. That was welcome news. The window of our first floor corner apartment, where we spent three years sharing 350 square feet was covered by a clothesline of old towels and sheets. Beyond that impenetrable façade, because how creepy would it be to ask for a tour of the old place, was the first real home we made. Now it’s only accessible through photos and memories, but it’s still there, with the familiar cracks and imperfections we made our own. Which is more than I can say for my second home in Toronto – the law school.
Despite getting a whole new building clamped onto its side, from a certain angle, the two law school buildings don’t look any different. The iconic façade we put on all our hoodies and T-shirts is still there – the view at the end of my morning walks. And when you first walk inside, it still hits you with that smell – the history that has seeped into the walls of so many repurposed Toronto buildings.
But then when you exist the foyer, you’re in a whole different world. Sure, Bora Laskin’s bust still sits on its pedestal next to the library’s entrance, but the entrance has moved. The copy stations where I’d print out freshly warm essays to hand in is nowhere to be found. The study nooks on the second floor where I’d eat baby carrots and watch episodes of One Piece are no longer there.
I tried to track down any of my old classrooms, but had no luck. Either the new layout has completely messed with my sense of direction or it’s all gone. Photos of graduating classes where you’d be able to pick out half the notable judges and federal Liberal politicians of the last half-century have all been hidden away. My law school, the entity that has awarded me my degree, is still there, but the law school that I truly knew is gone.
I would never be able to tell my kids that here is where their mom leaned against that stone pillar while she waited for me and got bronchitis in our first week there. Such a tiny little thing, a silly insignificant story that no longer has the aid of having a live location. Like with the apartment, the memory is there, but the physical space is gone. It shouldn’t really be a big deal but it is. In my early thirties it’s finally creeping up on me. The country I spent the first years of my life is gone. The political ideology that raised my parents is almost extinct. Yet this, a remodeling of a law school is what gets to me.
It brings to the forefront the power of memories. People, places, and things all go, but they all live a second life in our memories. We are faced with a flood of photographic evidence. Something our grandparents and even our parents didn’t have. It’s so easy to whip out the phone and observe, but it’s a very different feeling from experience. Now, I’m now trying to turn this into a “technology is bad” kind of luddite rant, but I can’t stress enough the need to appreciate the moment. To truly sink into the people and the places we hold dear to us.
I know I’m getting philosophical over some pretty basic stuff, but there’s one thing to know something, and there’s another to truly feel it; deep down in your bones kind of feel it. And this, I feel, is something that is one of the goals of my writing: to turn that inward feeling outward. At the end of the day, I want to leave readers with a memory of the story.
There’s a bit of disagreement with me and some of my fellow writers. Then again, try to go find an issue all writers agree upon, and we’ll see how long it takes for that task to kill you. So I’m not trying to pass myself off as a unicorn, but I do find that advice that promotes avoiding writing for the market primarily often is distilled into the simply rule of just writing for yourself and forget what anyone else thinks. But this distorted view of “writing for yourself” ignores a fundamental attribute of the storytelling craft – on the one hand you have the story, and on the other you have the telling, that is, the story must be heard in order to be told. I’m not advocating constantly catering to an imaginary audience. A story that pleases everyone is the golden fleece that a writer could sink their ship trying to find. But at the same time, an author that creates a story for the love of the art alone risks ripping the soul right of the work and leaving it a dead and useless thing.
Not without some reservation I admit that I find little merit in works that are purposefully created to be difficult to access. I recognize the genius that it takes to put some of these works together and won’t pretend that somehow pop literature is the superior medium. Rather, I find them to be an art unto themselves, a separate category of literature that has moved so far away from the intent of storytelling that it should find itself in its own realm. It’s one of the reasons that you will never find me criticizing Dan Brown or E.L. James as someone who “should not be read”. Most anything can and should be read because it gets people reading, feeling, learning. The reader is at the heart of writing and when an author writers to exclude as large of a readership as possible, the work loses the heart.
I can’t write without an audience in mind, and I admit the dangers are there. Occasionally I have to ignore the siren’s call of pleasing an imaginary reader at the expense of the story’s integrity, and sometimes I find myself sailing through the narrow straits between Scylla and Charybdis, wondering if I’m straying from the path the work needs to take in order to please someone who’s not there. It’s an approach not without flaws but it’s one that helps me sustain my writing.
For Wake the Drowned, my first novel that I’m currently working on, I feel that the driving force has two parts to it. On the one hand, I’m writing it for myself – I need Charlie’s story to be told. But on the other hand, I also need Charlie’s story to be heard. The book is written as much for me as it is for the people who could either relate to Charlie, or learn something from Charlie’s experience. It is because of this belief that every story must be heard that I haven’t been able to write in silence and sought out others to read my work. Sometimes these people are referred to as “beta readers”, though I’ve often found the term to be much too informal. To me, these are the friends and family who helped keep my writing; my indispensable ones.
In an earlier entry I’ve dragged readers through the broken glass field that was my early juvenile writing. Since my elementary school stories involved my friends and I kicking ass and taking names, their interest wasn’t that hard to grab. It was all a bit of good fun, until my one friend decided to make fun of the fact that in the story I married myself off to one of our classmates, so I sent him flying down from the tall mound of snow that our groundskeeper built on the side of the parking lot. I believe I mentioned before something about not exactly being a perfect child. Sorry Matthew.
Early in high school, when my friend Bajer and I took turns narrating a Power Rangers: Lost Galaxy rip-off that was also populated by us and our friends, writing like that was no longer considered cool, and was mostly hidden by us in our lockers and read in the privacy of our own homes.
My plans to create and star in a blockbuster television series based on our work fell through when I moved schools the following year. This was, however, where I find the support I needed to take my writing into the realm of a serious hobby. Sam, Sarah and Catherine had kindly let me into their circle of friends when I came to the new school, and then eventually goaded me into sharing with them my handwritten scribbles about teenage drama that would have probably become the longest and least necessary work of literature in the English language. The three girls really didn’t know what they were getting themselves into. Their general lack of good judgement is plainly demonstrated by the fact that one of them ended up marrying me a decade after we first met.
To maintain their sanity while correcting my atrocious grammar, they took to making what they called “snide comments” on the margins of the page. These took the form of jokes, commentary on plot, silly observations, and for Catherine sometimes just plain screaming at me that my thinly-veiled emo allegory was not fooling anyone and I should just stop embarrassing myself.
Thanks to their efforts and the laughs we’ve had around their remarks, I found a new reason to writer. Living vicariously through my writing, which was almost entirely focused inward, I was now writing to see what reaction I could illicit. The inward turned outward and I was writing for an audience. I wanted them to laugh, to think and to feel and to tell me what they thought of my work. I waited impatiently for them to go through my work not because I wanted to get the editing process out of the way but because I genuinely enjoyed seeing what they had to say. As a testament to my appreciation of all their efforts, I still have the stacks of marked-up stories stashed somewhere in the house, most likely only funny to us four.
As is often the case when high school ends, friendships began to drift apart. Being the prudent individual that I am, in order to maintain some kind of readership for my writing, I conspired to marry one of my beta readers. Kidding, though that was one of the perqs of marrying Sam, especially when she decided to become an English major and could see things in my work that I didn’t even realize were there. Made me very much feel like a “real writer”. She’s my main beta reader now, the only one I really need. When I gave her the first draft of Wake the Drowned, before I had even given it a good edit, she suffered through the whole thing and told me she didn’t know quite what to say. She described the experience as being given some raw pancake dough to eat. It was her polite way of telling me to finish my damn work.
So I would like to take this opportunity to thank everyone in my life who was willing to listen, like those I have already mentioned, Ms. Densford, my high school English teacher, Allan, my friend who edited my first published work, my mom, who was my kindred lit nerd in the family, and a special thanks goes to my dad, who’s never been much a book guy while I knew him.
The last book I remember him reading was a biography of Pavel Bure, and that was before we hit this century. Even though it was always my mom who cultivated my arty side, he was always watching from the outside. Any time I came to him to read my stuff, he put his all into taking a look. He was a very technical editor, and we disagreed once or twice on the finer workings of the English language. But in the few pages that he committed on, he taught me the values of consistency, plausibility and doing your research. He pointed out that my writing should not thrash about unconstrained, propelled only by convenience and what’s cool, but that the world has rules, and a writer should respect them. Of course, every rule has its legitimate exceptions, but for a fourteen year-old boy those were words I needed to hear.
I lost my dad to cancer last year. In the weeks before he passed, it spread to his brain so he was left increasingly disoriented. But one of the last things we did together, is one evening I brought the current draft of Wake the Drowned, and I read it to him and my mom while he seemed to drift in and out focus, but looking like he was trying to listen intently. It was one of those images that has been burned into my mind from that last month – the dimly lit living room that always felt too large for comfort, me sitting next to my reclining dad, my mom hovering a bit away from us wrestling with every emotion ever described, our little family spending one of our last activities together.
I can’t really say why I did it. Dad has always been a supporter of my writing with the caveat that I get a “real job” first. Able to reflect on this now in my thirties I think it was a solid piece of advice. I guess I was facing the uncomfortable realization that he would never see my novel, the first real fruit of a hobby that he gently tried to keep a hobby without extinguishing my passion for it. And in response to that, I wanted to give him an introduction to it. The story told me that it needed to be read to him.
I can keep piling up explanations each more poetic-sounding than the last, but the bottom line is that it was his story as well. There will always be a part of him in the finished work, just like there will be a part of anyone who had ever read any of my writing, or helped with my writing, or just helped me be the person I am today. And for that, I will never stop sharing.
There is something to be said about the family road trip, and I’m here to say it. Without hesitation, I would call the experience incomparable. Even for those times when I was in the backseat, when my parents would drive us around British Columbia and down the west coast of the United States, and we would have our share of hiccups, to put it mildly, because some of us didn’t handle the stresses of travelling all too well, I look back on those experiences fondly. We weren’t the kind of family where sullen teenagers would sink into the backseat listening to their own music wishing they were anywhere else but in the family car. The family road trip was an adventure, the chance to experience something new together. It was one of the things I looked forward to the most when I would have my own kids. And this past week, I got to experience it.
Last weekend was my first time behind the wheel of a family road trip, with my wife beside me, my two little boys in the backseat, and sandwiched between their two carseats, the hero of the whole endeavor, my mother-in-law, who insisted on helping us out by going with us instead of flying, and probably ended up saving my sanity. It had all the makings of a romanticized trip that I’ve always dreamed of. A 6 am wake-up call, packing the car in the brisk August morning, rolling the still-warm children out of bed and throwing them in the backseat. There was something that felt very right about it all, heading to the border through the bluish hues of morning with nothing but two thousand kilometers of road ahead of us.
Sometimes you hype yourself up for your entire life only to disappoint yourself. Sometimes nostalgia transforms something in your head to the point that it is no longer recognizable in real life (plenty of my old Super Nintendo suffered this fate. “Hey wait a minute, this game is both terrible and not a little racist.”) But the magic of the road trip could not be understated.
It was everything I was waiting for. Snacks being passed around to the point where kids had little appetite for lunch because they consisted 40% of Doritos. Toilet breaks were demanded in the nick-of-time before the “Next Area – 54 miles” signs. Taylor Swift and Hamilton filled in the gaps between local radio stations. Everything that I have listed so far I met with warmth and fondness.
The family road trip has a bad wrap in media. Or at least that’s what my confirmation bias is telling me as I write this piece. Just look at National Lampoon’s Vacation, or its soft-reboot, Vacation, or even something more dramatic and high-brow like Little Miss Sunshine. Family trips are not whimsical adventures, they’re unmitigated disasters. And that’s unfair. It’s time to romanticize the road trip. And not the Jack Kerouac nightclub-fueled couch surfing bender through an existential crisis. But just one semi-functional family that enjoys the company of each other and a beautiful country.
Two solid days of driving and when I looked at the world map hanging in the kids’ room after I got back, it was humbling seeing what a small blip of it we actually covered. Our world us unfathomably vast, with a myriad people living in it. How can one fail to surrender to such awe as hour after hour get piled on and the landscape changes. Temperate rainforests eventually yield to scrub, to the endless golden expanse of the San Joaquin Valley that is both gorgeous and dangerous with its hypnotizing powers.
I spent four days on the road in total, through backaches and a nagging wrist injury that just refuses to quit. Yet somehow I feel energized and refreshed. My mind is more open to tackling work and my writing. I feel closer to my kids. I feel closer to my wife if that’s even possible after fifteen years together. I have a new appreciation for my mother-in-law whom I had already been appreciating.
All that said about this trip and I hadn’t even mentioned the destination, even though that was the whole point of this adventure. Something can be said about Disneyland as well, but that is a whole different story. We are a shameless Disney family so I can spew corporate propaganda until the cows come home. But this is about something else, about the overlooked journey to the destination.
Now, I won’t double down on the cliché – that it’s about the journey and not the destination. That’s best left as a metaphor, especially when your destination is frickin’ Disneyland. But the journey itself should hold a separate place. Not as a trial, or as a bitter pill that needs to be swallowed before the reward, but as the reward itself. And I count myself lucky as someone who has people close to me to make the journey such a blast.
I have this vague recollection that in a previous blog entry I vowed to update more frequently. Upon recent reflection, it would appear that I’m a shameless liar. Aaaaaaaaaanyway:
In an earlier blog entry I shared with you my mild obsession with my bullet journal – something I use to log, track or otherwise organize various aspects of my life. Some of these trackers, like my words-per-day chart, are geared directly towards my writing. Others; however, have more general everyday application, like my exercise log. It’s because I’ve reached a very significant milestone in my tracking since I first started the practice at the end of 2016 that I wanted to share with you another one of my bullet journal entries. Hold onto your hats, folks, this one’s colourful:
I would like to say the chart is self-explanatory but I’ve made that mistake in the past and I’m not about to do it again. Apparently not everybody can readily understand what’s in the mind of a madman. Each “block” of varying size appears underneath the label for its respective month. As you can see from the very depressing months of November and December 2017, it starts as a blank outlined square. Once I do an activity that constitutes exercise, I fill in one square.
There’s a legend at the bottom of the page that indicates the kinds of activities that make it in here. Some are fairly straight-forward, like running, swimming, and yoga. Others have some caveats. The biking one for instance, refers to actual hard-pedaling for distance (although I suppose calling my pedaling “hard” is being a bit generous). The 30+ minute walk usually refers either to a straight walk longer than 30 minutes, or a couple of intense walks at around 15-20 minutes each. Even if I ended up walking for hours that day, I still give myself only one light green square for that day, otherwise the light green would be too dominant here.
The most flexible category here is “gym”. This has included everything from an actual trip to the gym, to a particularly intensive chore day, to a half-hour session of Beat Jedi on the VR. And if you laughed at that last one, how about you try swinging your arms for 30 minutes to the tune of “Gangnam Style” and then tell me it wasn’t a workout.
So long story short, any time I exercise, I fill in one square on the chart, completing them in a sort of spiral pattern. To better see how the spiral works, look at the following months in succession: May 2017, March 2018, April 2018, December 2016, and so on.
So in the end you end up with a log that not only allows you to see the types of activity you’ve been doing, but also the relative volume of said activity month over month. I like this particular chart also because of how much time is captured in a single 2-page spread. Here we see 21 months worth of exercise, and as you can see, much can change over that time.
Early on in the process, there was a lot of running and swimming, and generally I was pretty active. Then it all kind of fell away for over a year (and there’s reason for that, if you feel like reading up on it). Running was replaced by biking due to another in a string of running injuries, and swimming never went back on the table because I switched jobs and no longer had a YMCA within walking distance of my office. I guess the other couple of things to note is the brief appearance of Yoga, which had to be put on hold due to lingering wrist sprain, and the last ice hockey game I’ve played so far, owing mostly to a busy life with two kids and the rink being a half-hour drive away. But hey, I scored two goals in that game, and was apparently dubbed the “Winter Soldier” by the team captain. And if there’s one thing I love collecting, it’s badass nicknames (it’s a very small collection).
Then after hitting rock bottom late last year, and then slowly getting out and walking in the spring, I finally turned things around, and had my most active months yet. This culminated in the most recent month where I set another record for having times I’ve exercised that month.
Some of you may not see this as a particularly big deal, but between my work and my hobbies, I’ve never been the most active person. A lot of this takes effort for me. Exercise has to be squeezed in before work so most of the time I’m up at 6 am to get this done. Walks are fit in at lunchtime, and thank goodness for Pokemon Go to help me get out of the office for a bit of fresh air.
And I think having this tracker helps as well. Not only does it add that one extra piece of motivation – being able to go home and fill out another square, but it also allows me to see how far I’ve come, and how much I’ve overcome. No matter what life throws at me, whether family tragedies, or injuries, or change in jobs, no matter how much I falter, I end up picking it all up and not abandoning my overall fitness goals.
And I think this one of the important things to accept about life, sometimes goals don’t arrive in the way you expect them to come. Sometimes there will be a drought. And this relates to writing as well. Whether a string of rejections or a prolonged case of writer’s block, life is a marathon and not a sprint. There will be ups and there will be downs and when you’re in a down it’s important to recognize it for what it is – temporary.
I had a chance to do some reflection this Father’s Day, which was actually pretty easy when you’ve got two great kids and a wonderful wife and spend a few hours at the botanical gardens enjoying the sights and slicing up your hands on some volcanic rocks. Anyway, I digress and I’ve barely gotten through the first sentence.
This was my second Father’s Day where I find myself lonely at the top. My dad passed away last year just about a month before the occasion, so that one I spent mostly missing him, and this year I had a bit more room to look within myself. For those of you who’ve been reading my blog, you understand what an impact his death had, and I think Father’s Day has forever acquired some small shade of melancholy for me, but it’s important to stay focused on my owns kids.
So this Sunday the time I spent with my family, and the thoughtful gift they got me (a framed photo of me reading to the kids before I head off to work) really got me thinking about what a huge part of my life my kids have become. Prior to my eldest being born more than four years, I couldn’t imagine throwing this much of myself into something.
It’s no secret that I have to carve out time for my writing. I have to wrestle with each day to get in my allotted amount of words. I need to steal moments to edit my novel which has been in its editing phase for about three years now. The only time I have left to do reading is on the bus heading home. Writing may be my passion but it’s not my day job. My day job allows me to do some writing. It certainly doesn’t let my mind go to waste and for that I’m thankful. Almost a year ago I’ve also landed the dream job of working at an academic institution, and being steeped in the culture here has provided no shortage of inspiration. So there’s no daylight left to complain, but neither is there time to fully absorb myself in my writing.
But what about at home? Why is it when I look back at my words-per-day tracker, the weekends end up being the least productive days? Well that has an even better answer. No matter what I do, no matter how many hobbies I’ve had and dropped over the years, nothing compares to the two little guys that call me “Bapa”, and occasionally “Daddy” just to annoy me.
It didn’t come easy. I say this honestly because I don’t want to take too much credit and also to emphasize that even something like love and devotion to your kids is a project you should never cease working on. My own wife can attest to the fact that I’m not always the best person at showing the people I love how much I care. I’ve had to learn this with my kids. Together we’ve built the foundation that is now our family and I wouldn’t have it any other way. When I get a FaceTime call on the bus as I’m going to work and see my kid crying because he slept through me getting ready for work, that is what my life is all about.
So if you’re following along with my writing, it may seem like it comes in drips. My novel is taking forever and I don’t exactly produce a steady flow of short stories. Yet with all that, I haven’t given up. I’m thirty one and even though my confirmation bias can pinpoint dozens of examples of writers who’ve already hit it big, I know it doesn’t work that way. Writing is a way of life, it’s a marathon. My writing shines brightly and bursts to get out, and alongside it there’s an even more intense fire in my life.
You can be passionate about more than thing, so don’t dare turn your back on what makes you happy.
From someone in my generation ,it’s not exactly exceptional that I like Star Wars. Tempted as I am, it’s not necessary to delve into my life story setting out exactly what part of my childhood, and now adulthood, Star Wars has formed. Suffice it to say I can tell my Bossk from my Dengar.
I’m also one of those fans that doesn’t take the most critical eye to the franchise. Sure, I will laugh at every cringe-worthy moment in the prequels, but The Phantom Menace was the first movie I saw in a movie theater, and just because I think Attack of the Clones is the worst Star Wars movie doesn’t mean I won’t watch it when it’s on without shame (that’s a lie, shame is involved). So I suppose I’m an exception to the adage “No one hates Star Wars more than Star Wars fans”. It’s no surprise then that I’ve generally enjoyed the Disney-era Star Wars movies. Some more than others, but you won’t catch me standing on a street corner yelling about how The Last Jedi did unspeakable things to my childhood.
So if you’re looking for a review of Han Solo that fits a certain narrative, you won’t find one here. But if you want to accuse someone of being a cultist or a studio shill, I’m your man. Although I gotta say, I wish someone would pay me to shill, I have hobbies I need to sponsor.
I went into the movie keeping a lid on my expectations. This was an origin story I didn’t really think we needed, and the well-known issues with the directors, as well as the rumours about the acting didn’t give me any particularly high hopes. So honestly, when I saw initial reviews clocking in the low 70s on Rotten Tomatoes, I was pretty pleased. I knew that for someone like me, it would be a decent ride.
And a decent ride it was. Now, I’ve heard that the first hour has pacing issues and it feels disjointed. Unfortunately, I’ve got a hard time wrapping my head around those terms. That’s like hearing from someone that the chocolate ice cream I just ate tasted bad. No, I tasted the bloody thing, and I liked it. So honestly, I have no idea what they’re talking about.
I liked hopping from planet to planet – it made the galaxy feel big, which is what I find some of the recent movies have been lacking. And then the movie picks up steam and off we go, with me sitting literally on the edge of my seat for most of it. Not so much because the “Oh my God what’s going to happen next?” feel of it, but the “Oh my God this is the Star Wars I love” feel of it. A mix of familiar ships and cool new designs, new characters mixing with old favourites who are given new life.
Kudos to Alden Ehrenreich no matter what anyone says. He didn’t set out to do a Harrison Ford impression and I don’t know why anyone expected as much. He played a young Han Solo, not a young Ford, and I think he did it well. Just a bit more naïve and happy-go-lucky than the experienced smuggler we first meet in A New Hope. And I don’t even know where to begin with Donald Glover as young Lando, stealing every scene he was in. Now any time I’ll watch Billy Dee Williams as the iconic character I will see him in his youth. The two have completely merged together in my mind.
But don’t get me wrong, I’ve got my own complaints, too, places where the movie doesn’t quite feel as necessarily Star Wars as I would have liked. Although it makes sheepish attempts to get out of it, it still seems to lack the gratuitous presence of most of the alien species established in the first six films. It’s hard to make it feel like the same galaxy when the supposedly ubiquitous Twi’leks (which apparently I can spell correctly from memory - what is wrong with me?) are nowhere to be found. I should have to geek out when there’s a momentary sighting of a Rodian.
And I still haven’t felt that we really got to know a place like we did with Tatooine, Bespin, Naboo or Coruscant. The new locales still appear as snippets to be filed away, instead of actual worlds. But that just might be my own nostalgia talking. We’ll see what happens when my kids grow up, if they end up being Star Wars fans. Maybe to them Corellia would be just as real as Dagobah is to me.
In any case, no matter the movie’s flaws, I had fun, and I wish more people had fun, too. I know the feeling some of them decry. It isn’t *my* Star Wars, either. But I’m not a kid anymore. If I keep chasing that feeling, I don’t know if I’ll ever find it. If I do, I’ll know it, and it’ll be magical. And if I don’t, then that’s alright, because I’m willing to sit back and enjoy the ride in the meantime.
For those of you who haven’t watched the movie yet, look away now because I’m about to dive into some spoilers.
The thing about a Han Solo prequel, is that you either don’t touch anything that was previously established, or you better be telling us how he met Chewbacca, got his blaster, and did the Kessel Run. Okay, so all three happened in the span of what, 48 hours, but that’s alright.
The mutual rescue between him and Chewbacca and the seeming elimination of the life debt from the Expanded Universe may not please die-hards, but I actually welcomed the change. Gives much more meaning to the reason that a two hundred year-old former leader of the Kashyyyk defence, friend to Jedi, is hanging out with a loser like Han. It gives their friendship more agency instead of it being a social contract Chewie couldn’t get out of even if he wanted to.
There was one piece of lore that was particularly silly. When Han was asked his last name by the Imperial recruitment officer and he didn’t have a response, I stiffened up a bit. Then Han said he was all alone, and I was just giddy with anticipation. And then I watched the origin of “Solo” materialize right before my eyes with a stupid smile on my face, ‘stupid’ probably being the operative word here.
Oh, and of course, how can I not comment on the reveal in the last few minutes of the film? The moment that hologram came online I knew this was going to be good. Then I saw the robotic legs of the speaker and had to restrain myself from shouting out my guess in the theater. And then there he was, the most underrated and then redeemed by further material villain of the movies, making a triumphant comeback. And then he just had to ignite his lightsaber for no discernible reason other than “lethal glow sticks are fun”. Ah well.
Permit me to be a downer, but this what’s been consuming my mood as of late, and I feel like writing about it to hopefully feel a little better. I’ve mentioned in a previous entry that I lost my dad last year. Currently I’m in the short stretch of days between what should have been his fifty fourth birthday and what will be the one-year anniversary of his passing.
I can’t say it’s been easy. In fact, I won’t say it, because that would be an outright lie, even though it’s a lie I tell myself quite regularly. I would say that it feels like a cloud has been hanging over my head for a whole month, but that would both be cliché and not entirely true. It’s not a cloud that sits above you, but a feeling that sits in you, gnaws at you, makes you hollow on the inside. What it does bring about apparently is a flair for the melodramatic, so guilty as charged, I suppose.
It doesn’t help that through mostly a coincidence, I have recently been writing out a character’s conversation with his deceased father. Now, my character’s relationship with his dad is a bit more complicated than mine, but it doesn’t change the fact that even after a year I still can’t make heads or tails of what I’m supposed to be feeling. My moods are as forceful and unpredictable as the seas, but there’s one constant thread that runs through it all that I can agree on and that is that I miss him. I miss both the presence that was and the two decades that were stolen from us. One of my kids will likely have no memories of his dyeda, while the other might retain some distant images. He was stolen from them, too.
I guess this is where the coherent train of thought starts to get away from me, as the anger rolls in. I just sit here trying not to get crushed by the weight of the things left unsaid, by everything that was left on the table like yesterday’s coffee, where the drink can now only be dumped, the mug washed and put away in a tidy cupboard somewhere. Eventually he’ll become more memory than man, such a gaping chasm these lost years will leave.
I wish I could make this blog entry into something poignant and inspirational, but I think that would be disingenuous. It’s my personal belief that in our society we have real trouble facing grief, and death, and sickness. My own writing incorporates those themes, particularly their relationship to mental disorder. I think it’s unfair to the very real feelings we experience to claim that this process is a triumph over adversity. It’s incredibly unfair to the person that is gone, pretending that the hole could ever be properly mended. It will always crack, even a little bit, and you just patch it up as best as you could.
So I guess my takeaway, or at least the first stages of a takeaway that will probably take the whole of my life to build, is to not hide from it. Process it. Take in the cruelty of it. It’s okay to thrash around. It’s okay to not find comfort in your own skin. It’s okay to feel and it’s okay to talk about those feelings. Most of us have gone or will have to go through this. This isn’t some dark thing that should be swept under the carpet. This is life. That ugly side of it without which the light won’t shine quite so brightly. This is the other side of the coin that is love. The pain that goes with belonging. Don’t be afraid to hold your loved ones close. We are human, it’s what we need to survive.
Michael is a husband, father of two, lawyer, writer, and is currently working on his first novel, at a snail's pace. A very leisurely snail. All opinions are author's own.