Silver Wordsmith: An author's journey
I’ve noticed a curious trend in my writing recently to do with the setting of my stories. First question of course is how does one “notice” their own trend, aren’t I the one setting them? To that I answer that you’d be surprised what you don’t notice about your writing until you’ve had a chance to step back and take a look. Specifically, in my case I’ve been setting more of my stories in Russia, and with a particular slant to them as well.
Thinking back on my high school churn of short stories, I can’t recall any of them being explicitly set in Russia except one – the mostly autobiographical story of a kid with a heart condition trying to play hockey (don’t worry folks, knock on wood but this seems to have resolved itself – the heart condition, not the hockey, which is an affliction that refuses to leave me). There was another one that was loosely based on the events of one of the bombings of the Russian parliament in the early post-Soviet Union days, but it was set in an otherwise nameless fictional European country. An odd pattern give how much of writing advice is “write what you know”.
This seems to have begun to shift in the past few years.
Firstly, my second novel that I’m currently 70K words into is set predominantly in Russia. You can read more about it here but the gist is that someone who immigrates from Russia as a kid wakes up in his mid-twenties back in Moscow living the life he would have supposedly led if he had never left. Some parts are set in Canada, but otherwise it’s a Russian-set novel through and through.
Secondly, my third long-form writing project, which recently surpassed 15K but is still in the experimental stage is an autobiographical (or possible semi-autobiographical, since I’m still toying with this) accounting of my relationship with my father set against my immigrant experience. Most of this takes place in Canada but since I immigrated after I’d turned thirteen Russia plays a prominent role here as well.
And finally are my short stories. My production of these has slowed down considerably and I think on average I’ve completed about two a year for the last few years. Still, two out of the last four that I’ve worked on are set exclusively in Russia, with a curious common theme between them. The one that I completed last year, “Grisha and Kolya”, follows two kids, one who has a developmental delay and the other who bullies him regardless, not for his disability, but his perceived class privilege. The other, "Snowdrops", is about an older woman living by herself just above the concrete overhang of a Soviet-era apartment block and her struggles with a juvenile delinquent who keeps throwing things out of their apartment to smash right outside her window.
Both of these stories are pure fiction, but draw heavily on my own experience in Russia, including elements of myself lurking in the background, as I use the stories to try to deal with some of of the mistakes from my childhood.
It’s a shift to be sure, and not entirely a mysterious one.
High school wasn’t exactly an encouraging environment for me to explore my Russianness, as I found mostly what my identity earned me was a heavy dose of bullying. This time in my life I was trying to figure just how “Canadian” I could be given my background, and learning how heavy the first part of the hyphenation of “Russian-Canadian” would be.
Over the years, like Canadian society has finally begun to do, I’ve started moving past the “hyphenated” identity, allowing both to exist independently in the amounts that are true to myself and not some externally-dictated vision of what I should be. I think for this reason I’ve felt more comfortable drawing on my Russian influence directly, since each foray no longer threatens to envelop me in an identity crisis in the same way. I’m excited as to where this new direction in my writing will lead me.
My favourite author, Kazuo Ishiguro, set his first two novels in Japan, even though he emigrated from that country at the age of five. Not to say that I’m anywhere close to expecting the same kind of success, but it’s a great source of inspiration, and who’s to say what will happen next.
Michael is a husband, father of two, lawyer, writer, and is currently working on his first novel, at a snail's pace. A very leisurely snail. All opinions are author's own.